THE ORGAN IN ST EDMUNDSBURY CATHEDRAL
An elevated organ chamber was created in
the angle between the quire and north transept when the eastern
extension of the Cathedral was built in 1970, to the design of Stephen
Dykes Bower. He also planned the magnificent central tower, which was
completed for the new millennium.
The organ will incorporate pipework from the previous instruments by
Norman & Beard and Nicholson. It will speak primarily to the west,
but is also designed to accompany services in the quire. Two organ
cases will be provided, in accordance with the architect's
intentions: the main case in the transept facing west towards the nave,
and a second case for the Choir Organ and Solo reeds overlooking the
quire, where the
console is also situated.
| PEDAL ORGAN | SWELL ORGAN | |||||||
| 1. | Contra Bass |
(from 5) |
32 |
§37. |
Bourdon |
16 |
||
| 2. | Open Wood |
16 |
38. |
Open Diapason |
8 |
|||
| *3. | Open Diapason | 16 |
39. |
Lieblich Gedackt |
8 |
|||
| *4. | Violone | (from 25) | 16 |
40. |
Echo Gamba |
8 |
||
| 5. |
Sub Bass |
16 |
41. |
Voix Céleste |
(tenor c) |
8 |
||
| 6. |
Echo Bourdon |
(from 37) |
16 |
42. |
Principal |
4 |
||
| 7. |
Principal |
8 |
43. |
Flute |
4 |
|||
| 8. |
Bass Flute | (from 5) | 8 |
44. |
Fifteenth |
2 |
||
| 9. |
Fifteenth |
4 |
45. |
Sesquialtera |
II |
|||
| 10. |
Mixture |
IV |
§46. |
Mixture |
IV |
|||
| 11. |
Double Trombone |
(from 34) | 32 |
§47. |
Oboe |
8 |
||
| *12. |
Ophicleide |
16 |
XIII Tremulant |
|||||
| *13. |
Trombone |
(from 34) | 16 |
*48. |
Contra Fagotto |
16 |
||
| *14. |
Fagotto |
(from 48) | 16 |
§49. |
Cornopean |
8 |
||
| I Choir to
Pedal II
Great to Pedal |
*50. |
Clarion |
4 |
|||||
| III Swell to Pedal
IV Solo to Pedal |
XIV
Octave XV Sub Octave |
|||||||
| XVI Unison
Off XVII Solo to Swell |
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| CHOIR ORGAN |
||||||||
| SOLO ORGAN | ||||||||
| *15. |
Open Diapason |
8 |
||||||
| §16. |
Stopped Flute |
8 |
§51. |
Quintaton |
(bass from 37) |
8 |
||
| 17. |
Principal |
4 |
52. |
Viole d'Orchestre |
8 |
|||
| *18. |
Nason Flute |
4 |
53. |
Viole Cèleste |
(tenor c) |
8 |
||
| 19. |
Nazard |
22/3 | 54. |
Harmonic Flute |
8 |
|||
| 20. |
Fifteenth |
2 |
55. |
Flauto Traverso |
4 |
|||
| *21. |
Flautino |
2 |
56. |
Clarinet |
8 |
|||
| 22. |
Tierce |
13/5 |
*57. |
Vox Humana |
8 |
|||
| 23. |
Sifflöte |
1 |
XVIII
Tremulant |
|||||
| *24. |
Cremona |
8 |
*58. |
Tuba |
8 |
|||
| V
Tremulant VI Swell to
Choir VII Solo to Choir |
*59. |
Orchestral Trumpet |
4 |
|||||
| |
XIX
Octave XX Sub
Octave XXI Unison Off |
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|
GREAT
ORGAN
|
|
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| |
ACCESSORIES | |||||||
| *25. |
Double Open Diapason |
16 |
Ten
general pistons and general cancel |
|||||
| *26. |
Open Diapason |
8 |
Two
general coupler pistons |
|||||
| *27. |
Open Diapason |
8 |
Eight foot pistons to the Pedal Organ | |||||
| *28. |
Stopped Diapason |
(wood) |
8 |
Eight pistons to the Choir Organ | ||||
| *29. |
Principal |
4 |
Eight pistons to the Great Organ | |||||
| §30. |
Chimney Flute |
4 |
Eight
pistons to the Swell Organ, duplicated by foot |
|||||
| 31. |
Twelfth |
22/3 |
pistons | |||||
| 32. |
Fifteenth |
2 |
Six pistons to the Solo Organ | |||||
| §33. |
Mixture |
V |
Combination couplers: Great & Pedal pistons | |||||
| *34. |
Trombone |
16 |
Generals on Swell foot pistons | |||||
| *35. |
Trumpet |
8 |
Manuals I & II Exchange | |||||
| *36. |
Clarion |
4 |
Reversible pistons: I-IV, VI, VII, X-XII, XVII | |||||
| VIII Reeds on
Pedal IX Reeds on Choir |
Reversible foot pistons: I, II, III, VI, XI, 1, 11 | |||||||
| X Choir to
Great XI Swell to
Great XII Solo to Great |
Eight divisional and 128 general memory levels | |||||||
| Stepper, operating general pistons in sequence | ||||||||
| Balanced
expression pedals for Swell (Transept) |
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| Swell (Quire), and Solo | ||||||||
| The
manual compass is 61 notes; the Pedal 32 notes. |
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| * New stops § Alterations | ||||||||
HARRISON & HARRISON
2010