ROYAL FESTIVAL HALL
The
organ was built during 1950–1954 to the specification of the London
County Council's consultant, Ralph Downes, who also supervised the
tonal finishing. It was designed as a well-balanced classical
instrument
embracing a number of rich and varied ensembles which alone or in
combination could equal the dynamic scale of any orchestra or choral
grouping in addition to coping with the entire solo repertoire.
Between 2005
and 2007 the
Hall was completely reconstructed with improved acoustics; it
reopened in June 2007. The
organ is being reconfigured to suit the new architectural
and acoustic requirements: its depth has been reduced by 1.1m, but the
basic principles of the layout have been respected. The Swell Organ,
Great flue stops, and the Pedal Principal 32ft, forming the left-hand
portion of
the organ, have been reinstated, together with the console, and will be
followed by the central and right-hand sections at a later date. There
will be no change to the specification.
SPECIFICATION
| PEDAL ORGAN | GREAT ORGAN | |||||||||||||
| 1 | Principal | (from 54) | 32 | 54 | Principal | 16 | ||||||||
| 2 | Major Bass | 16 | 55 | Gedacktpommer | 16 | |||||||||
| 3 | Principal | 16 | 56 | Diapason | 8 | |||||||||
| 4 | Sub Bass | 16 | 57 | Principal | 8 | |||||||||
| 5 | Quintadena | (from 74) | 16 | 58 | Harmonic Flute | 8 | ||||||||
| 6 | Salicional | (from 40) | 16 | 59 | Rohr Gedackt | 8 | ||||||||
| 7 | Quintflute | (stopped) | 10 2/3 | 60 | Quintflute | (stopped) | 5 1/3 | |||||||
| 8 | Octave | 8 | 61 | Octave | 4 | |||||||||
| 9 | Gedackt | 8 | 62 | Gemshorn | (conical) | 4 | ||||||||
| 10 | Quintadena | (from 74) | 8 | 63 | Quintadena | 4 | ||||||||
| 11 | Nazard | (conical) | 5 2/3 | 64 | Quint | 2 2/3 | ||||||||
| 12 | Superoctave | 4 | 65 | Super Octave | 2 | |||||||||
| 13 | Spitzflute | (conical) | 4 | 66 | Blockflute | 2 | ||||||||
| 14 | Open Flute | 2 | 67 | Tierce | 1 3/5 | |||||||||
| 15 | Septerz | 17.21 | 3 1/5 | 68 | Mixture | 15.19.22.26.29 | 2 | |||||||
| 16 | Rauschquint | 12.15 | 5 1/3 | 69 | Sharp Mixture | 26.29.33.36 | 2/3 | |||||||
| 17 | Mixture | 19.22.26.29.33 | 2 2/3 | 70 | Cornet | 1.8.12.15.17 (middle c) | 8 | |||||||
| 18 | Bombarde | (from 19) | 32 | 71 | Bombarde | 16 | ||||||||
| 19 | Bombarde | 16 | 72 | Trumpet | 8 | |||||||||
| 20 | Dulzian | (from 38) | 16 | 73 | Clarion | 4 | ||||||||
| 21 | Trumpet | 8 | XI Sub Octave | |||||||||||
| 22 | Cromorne | (from 52) | 8 | XII Reeds and Cornet on Solo | ||||||||||
| 23 | Clarion | 4 | XIII Positive and Choir to Great | |||||||||||
| 24 | Schalmei | (from 53) | 4 | XIV Swell to Great | ||||||||||
| 25 | Cornett | 2 | XV Solo to Great | |||||||||||
| I Positive to Pedal | ||||||||||||||
| II Great to Pedal | ||||||||||||||
| III Swell to Pedal | ||||||||||||||
| IV Solo to Pedal | ||||||||||||||
| POSITIVE ORGAN | SWELL ORGAN | |||||||||||||
| 26 | Principal | 8 | 74 | Quintadena | 16 | |||||||||
| 27 | Gedackt | 8 | 75 | Diapason | 8 | |||||||||
| 28 | Quintadena | 8 | 76 | Gemshorn | (conical) | 8 | ||||||||
| 29 | Octave | 4 | 77 | Quintadena | 8 | |||||||||
| 30 | Rohrflute | 4 | 78 | Viola | 8 | |||||||||
| 31 | Rohrnazard | 2 2/3 | 79 | Celeste | 8 | |||||||||
| 32 | Spitzflute | (conical) | 2 | 80 | Principal | 4 | ||||||||
| 33 | Tierce | 1 3/5 | 81 | Koppelflute | 4 | |||||||||
| 34 | Larigot | 1 1/3 | 82 | Nazard | (conical) | 2 2/3 | ||||||||
| 35 | Mixture | 15.19.22.26.29 | 2 | 83 | Octave | 2 | ||||||||
| 36 | Sharp Mixture | 22.26.29.33.36 | 1 | 84 | Open Flute | 2 | ||||||||
| 37 | Carillon | 29.38 | 1/2 | 85 | Tierce | (tenor F) | 1 3/5 | |||||||
| 38 | Dulzian | (in Choir box) | 8 | 86 | Flageolet | 1 | ||||||||
| 39 | Trumpet | (in Choir box) | 8 | 87 | Mixture | 22.26.29.33 | 1 | |||||||
| V Tremulant | 88 | Cymbel | 38.40.43 | 1/5 | ||||||||||
| VI Positive on Great | 89 | Hautboy | 8 | |||||||||||
| VII Swell to Positive | 90 | Vox Humana | 8 | |||||||||||
| VIII Solo to Positive | XVI Tremulant | |||||||||||||
| 91 | Bombarde | 16 | ||||||||||||
| 92 | Trumpet | 8 | ||||||||||||
| 93 | Clarion | 4 | ||||||||||||
| XVII Octave (16ft, 8ft and 4ft stops only) | ||||||||||||||
| XVIII Solo to Swell | ||||||||||||||
| CHOIR ORGAN | SOLO ORGAN | |||||||||||||
| (On Positive keys) (Enclosed) | (Enclosed) | |||||||||||||
| 40 | Salicional | 16 | 94 | Diapason | 8 | |||||||||
| 41 | Open Wood | 8 | 95 | Rohrflute | 8 | |||||||||
| 42 | Stopped Wood | 8 | 96 | Octave | 4 | |||||||||
| 43 | Salicional | (conical) | 8 | 97 | Waldflute | (conical) | 2 | |||||||
| 44 | Unda Maris | (conical) | 8 | 98 | Rauschquint | 12.15 | 2 2/3 | |||||||
| 45 | Spitzoctave | (conical) | 4 | 99 | Tertian | 17.19 | 1 3/5 | |||||||
| 46 | Open Flute | 4 | 100 | Mixture | 19.22.22.26.29.33 | 1 1/3 | ||||||||
| 47 | Principal | 2 | 101 | Basset Horn | 16 | |||||||||
| 48 | Quint | 1 1/3 | XIX Tremulant | |||||||||||
| 49 | Octave | 1 | 102 | Harmonic Trumpet | 8 | |||||||||
| 50 | Sesquialtera | 26.31 | 2/3 | 103 | Harmonic Clarion | 4 | ||||||||
| 51 | Mixture | 29.33.36.40 | 1/2 | |||||||||||
| 52 | Cromorne | 8 | COMBINATION COUPLERS | |||||||||||
| 53 | Schalmei | 4 | (rocking tablets) | |||||||||||
| IX Tremulant | XX Great and Pedal Combinations coupled | |||||||||||||
| X Choir on Solo | XXI Swell on General Foot Pistons | |||||||||||||
| ACCESSORIES | ||
| Eight foot pistons to the Pedal Organ | Sequencer, operating general pistons | |
| Eight pistons to the Choir and Positive Organs (combined) | General crescendo, with indicator | |
| Eight pistons to the Great Organ (duplicated by foot pistons) | Balanced expression pedals to Choir, Swell and Solo Organs | |
| Eight pistons to the Swell Organ | ||
| Eight pistons to the Solo Organ | The pistons are instantly adjustable, with 8 divisional memories and 128 general memories | |
| Eight general pistons and general cancel | The general crescendo pedal has one fixed and three adjustable settings | |
| Reversible pistons:I-IV, VII, VIII, XIII, XIV, XV, XVIII | ||
| Reversible foot pistons:I-IV | The actions are electro-pneumatic | |
| Full organ piston and foot piston, with indicator | The manual compass is 61 notes; the pedal compass is 32 notes |